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In recent years, however, built-in HD webcams have become a standard feature in almost all new laptops and smartphones.For this reason, the selection of webcams has dwindled.They instead position the camera to the left or right, a few feet from the computer, so that viewers can watch them play rather than just watching their face.The second reason is that many gamers use desktop computers with monitors that don’t have built-in cameras.As this technology became more commonplace in the mid 90's, my interest turned to Internet-based installations; the technology had evolved significantly since I first went online in 1982.Stock Market Skirt, a project which I began to work on in 1995, was actually conceived long before the technology was available to realize it.The association is tapping into residents in their 50s by offering them free health screenings as a way to introduce community events.

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The concept of controlling the length of a woman's dress by referencing stock market quotes in real time could only be put into practice as the Internet evolved to supply data which I could access. July, 2017 Networked Projects in the Formative Years of the Internet: Fred Truck Independent Work: 1985 to 1995 owa-based artist Fred Truck works in digital, animated 3-D photography and computer arts, as well sculpture, artists books, and graphics designed on a computer.

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Documentation Conferences and Exhibitions The End(s) of Electronic Literature: The 2015 Electronic Literature Organization Conference, Bergen, Norway, August 4-7, 2015 Hold the Light: The 2014 Electronic Literature Organization Conference, Milwaukee, WI, June 2014 Dene Grigar Documenting Curation as Critical Practice Pathfinders: 25 Years of Experimental Literary Art, MLA2014 Convention, Chicago Chercher le texte: the 2013 Conference of the Electronic Literature Organization Brings Electronic Literature to the Public in Paris, September 23-28 E-Poetry 2013, Kingston University, London in June; Program Features Presentations, Exhibitions, Performances, and a Pedagogy Colloquium With a Theme of "Avenues of Access", MLA2013 Includes an Exhibition of Electronic Literature and over 60 Digital Humanities Panels Remediating the Social, Edinburgh, November 1-3, 2012 ELO2012, Media Art Exhibition to be Held at WVU, June 20-23 Critical Code Studies Working Group 2012: Reading Code in Context Belgrade Resonate Festival March 16-17, 2012 2012 MLA Convention to Feature Elit Panels and Exhibition Dene Grigar, Lori Emerson, and Kathi Inman Berens Impact Report for the Electronic Literature Exhibit at MLA2012 Dangerous Readings Explores Frontiers of New Narrative Elit Well Represented at ISEA2011 Electronic Literature Organization Moves to MIT A resource for academics and students, who are exploring the creation of electronic literature and social media-based narrative; for digital poets and writers, who are interested in how their colleagues approach their work; and for readers, who want to understand how electronic literature is created, the content | code | process project (formerly Authoring Software) is an ongoing collection of statements about how writers and artists create electronic literature.

Currently, content | code | process is also featuring works from the Networked Projects in the Formative Years of the Internet series.

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